Two pages and the front cover-page from the Carnet of Toujours of 2013 just began.

In the front one, I’ve just paste a piece of chinese paper with two seals of mine and the 2013 year written with ink.

In the palette study, there’s a selection of Rembrandt watercolor half-pans and their application in a typical view of Florence I use to paint grounding myself on the precious teachings of Master Azad Nanakeli.

Carnet du Toujours – 2013: 二零十三年,三月,三日, 三桥船 (3rd month, 3rd day, 3 ships)
Navi alla rada di fronte a Ardenza.
This is a view of my hometown Livorno taken in Sunday sunny late morning, with soft Mistral breeze: in chinese title I played with the recurring number 3.