Nonviolence and Martial Arts Studies

I have seen this image circulating the internet as a wallpaper, but I believe its original source is here: http://www.nyaikikai.com/

 

***One of my goals in creating Kung Fu Tea was to inspire more enthusiasm for (and participation in) the scholarly discussion of martial arts.  As such, I am happy to share a reader’s lengthy response to a recent essay.  After seeing his original comment I felt that it could be expanded to make a great guest post.  My original essay was a thought experiment in which I tried to applied a single signature concept of the Peace Studies literature to the discussion of martial arts.  This approach to International Relations (my home field) tends to be much more popular in Europe than the US, and I wanted to see what what would happen if I approached thing from a slightly different angle.  But all of this inspired Frank Landis to present some ideas of his own. Enjoy!***

 

Nonviolence and Martial Arts Studies

By Frank Landis

 

I appreciate the chance to write a guest essay on a blog I’ve read for years.  This post is in response to ”Violence and Peace: Reconsidering the Goals of Martial Arts.”  It’s an expansion of a comment I wrote on that post. Simply put, I believe that it might be more useful to analyze violence in the martial arts among multiple dimensions, rather than a single dimension of peace-to-violence, as Ben proposed in that piece.

First some background: who am I?

I’m not a martial artist, although I was one of the vast multitude of indifferent students of several martial arts some decades ago.  These days, I just practice qigong and meditation.  Professionally I am a writer and environmental activist, and I happen to have a PhD in Ecology.  This last fact is quite relevant: we ecologists tend to be “statistical bottom feeders,” in that we have a strong tendency to swipe analytical methods from other fields, rather than inventing our own.  In my work, I’ve used a number of sociology techniques to analyze data.  Even though I’m not a sociologist, I’m somewhat familiar with sociological methods, at least so far as I have learned and applied them to my own work.

The central question, as I see it, is whether it’s more useful to look at the diversity of martial arts, and their place in society, along a single dimension, with peace at one end and violence at the other, or whether it’s more useful to look at multiple dimensions and a multidimensional cloud of possibilities.  Keeping explanatory dimensions as simple as possible is ideal, but simplification breeds confusion when a single explanatory dimension lumps together phenomena that do not have much in common.  A multidimensional approach opens up a more complex space in which to look for explanations and patterns. However, if there are too many dimensions (say, one dimension per case), then the complexity is useless: every case is unique and unrelated to the others.  The sweet spot is a system of dimensions that’s complex enough make patterns and relationships obvious, but simple enough to be able to construct explanatory (and dare we hope predictive?) narratives from the patterns we find.

The other relevant part of my background is the 2016 US Presidential election.  I am very much not a supporter of the current US regime, and after the election, I started reading the literature on nonviolence.  My reasons were simple. I figured I had good odds of getting involved in protests (and I have), and I wanted to understand the theory and practice of nonviolence well enough that I might actually be useful. At minimum I wanted to avoid being suckered into joining a badly organized, useless, exercise.  As an environmentalist, I know all too much about those.  So I’ve done a lot of reading and a lot of thinking about both nonviolence and martial arts.  That is what I present here.

Now, about nonviolence in a martial arts context.  Why should any martial artist care about nonviolence?  There are two answers.  One is to look at the commonalities.  Both nonviolent actors and martial artists need to be able to absorb an attack and maintain discipline.  For example, imagine a 70 year-old grandmother who’s out protesting and gets beaten by the cops.  Turns your stomach, right, that helpless old lady being clubbed by guys wearing body armor?  That visceral feeling is the power of nonviolence, and if people witnessing the beating are turned against the people doing the beating, that little old lady has won her fight.  Theorists of nonviolence call that “political jujitsu.”  A little old lady may not be able to strike back, but paradoxically, by being willing to suffer for her cause she can win, even when she’s being dragged off to jail.  That willingness (and discipline) to suffer to one’s attain goals unites many nonviolent actors and martial artists.

The second reason martial artists may want to care about nonviolence comes from Chenoweth and Stephan’s  Why Civil Resistance Works: The Strategic Logic of Nonviolent Conflict.  In their analysis of hundreds of conflicts from the last century, movements that used nonviolent tactics were twice as likely to reach their goals as were those that used violence (52% to 26%).  While their database includes great nonviolent victories like Gandhi’s expulsion of the British from India, as well as great defeats like Tiananmen Square,  on the local level, it is the utility of nonviolence which explains why workers almost always choose to strike, rather than to physically attack their employers or work places.  Striking is not about weakness, it’s about efficacy.  A big part of what makes nonviolent action so efficacious is that everyone, from children to little old ladies, can take part.  In contrast, the percentage of the population that can (or will) get involved in violent attacks is much smaller, requiring greater physical fitness or training. Returning to the subject at hand, the theories explaining the utility of nonviolence, especially those of Gene Sharp and his followers, can be usefully applied to the study of martial arts in the wider society.

For the sake of discussion, I propose there are four dimensions related to peace and violence in which hand combat might be considered, although the fourth is peripheral to most modern martial arts.

One dimension is about the exercise of physical power, with nonviolence at one end of the spectrum and violence at the other. This is an extension of what’s conventionally termed the “use of force continuum.”  Most of us are familiar with the concept, espoused by many police departments, as a rational for how they justify the use of force.

The US Navy version of this continuum (from nonviolent to violent) is “Officer presence, Verbal commands, Soft controls, Hard controls, Intermediate weapons, and Lethal force (per the link above).  I would suggest that this continuum extends both on the nonviolent end, with a huge diversity of nonviolent tactics beyond presence and verbal command that includes Sharp’s list of 198 tactics.  I would also suggest that the lethal force end of the continuum extends well beyond what police deploy, with all the variations of lethal force practiced by militaries up to nuclear war.

One thing to realize is this dimension isn’t about what trumps what.  To use an absurd example, police officers don’t make arrests by walking around with nuclear warheads and threatening to detonate them if people resist arrest.  More specifically, the use of lethal force against nonviolent protestors is generally considered so abhorrent that a nonviolent campaign can use “political jujitsu” to leverage a regime’s inappropriately scaled response to effectively delegitimize its grasp on political power.  Instead, this dimension covers the diverse kinds of conflicts, from debates to shouting matches to wrestling to fist fights to knife fights to gun battles to artillery battles and beyond.

 

Taijiquan. Source: Edwin Lee/flickr

 

On this dimension, martial arts occupies a space in the middle, focusing on what the police consider soft controls, hard controls and intermediate weapons, and tapering gradually into both lethal force and nonviolent training.  It’s worth realizing that the wider, political world occupies a much bigger space, with entities from governments to corporations, gangs, and activist groups, being involved in both nonviolent and explicitly violent means of using and supporting their social or political power.

The second dimension is explicitly derived from the late Gene Sharp’s analysis of how nonviolence works.  He outlines two models of the origin of political power: top-down and bottom-up. Top down power is imposed from above, by conquest, or justified by the divine right of kings, the Mandate of Heaven, and various other authoritarian theories.  At the other end of the dimension we see bottom-up approaches where people claim their own power and manufacture their own organizations without aid from above.  This is a dimension and not a dichotomy, in part because when grassroots groups are fighting entrenched and unjust governments, one of their essential steps has to be pulling powerful groups, like big business and the military, onto the side of the protestors and away from supporting an unjust government.  I’d argue also that bottom-up and top-down often meet in the messy middle, and that the people and organizations with some power occupy this middle and influence both the established order and the people who want to change the system.

Sharp’s analyses focus on nonviolence in the context of “bottom-up” struggles, of people who are not in power finding ways to bend the authorities to their will or to disempower existing governments.  This is a vital analysis, but in linking nonviolence with bottom-up power structures, Sharp’s analysis ignores all the ways that nonviolence is promulgated through top-down strategies.  These include states conventionally monopolizing the use of force and constraining their citizens to less violent or nonviolent actions, and to all the ways that states promulgate order and peace as memes, ethics, and norms.  There’s a reason that ambassadors spend time talking with each other: generally it is more effective than starting with an armed assault and then de-escalating when the sides reach a stalemate.

In the context of Chinese martial arts and history, it appears to me as a nonexpert that both Confucianism and Daoism, at least rhetorically, promulgate ethics of peace and justice, and see war as justifiable only in the context of what we in the West would call a “just war.”  While this is a gross oversimplification that ignores a lot of history and culture, it does point out the utility of having two dimensions of political power: one being the continuum of force and one being top-down versus bottom-up power.   Chinese martial arts seem to be on the more-violent and bottom-up side of the graph, as opposed to a government that is top-down and at least rhetorically nonviolent, except where violence is required to restore order and justice.  Having these two dimensions also allows us to look at how martial arts are affected by middle men and power brokers, nobles that raise militias, magistrates who defend towns using martial artists, and similar situations.

The third dimension runs from performance to practical application.  The military is on practical application end of the spectrum.  Uniformed troops on parade, or doing demonstrations, are certainly engaging in an act of public performance, but soldiers were also supposed to be willing and able to use lethal force to end political conflict.  On the performance end of the spectrum we might find martial arts sets like The Drunkard’s Kung Fu that Leung Ting published decades ago. It’s impractical for fighting, but certainly entertaining to watch. Such a set serves a functional goal when a performer can use it to make money and eat.

 

The Landis Typology of Martial Types. (Chart by Benjamin Judkins so please forgive any misreadings.)

 

There’s a whole range of intermediates possitions in the martial arts world along the spectrum from performance to practical application, and they have different uses that are integral to the survival of many martial arts. I think that most people would rather perform cool sets and possibly intimidate their way out of fights, and very few would rather practice actually killing their opponents.  It seems that martial arts styles that only trains its students to maim or kill their enemies (and hopefully not each other) generally have far fewer students than ones that teach other socially acceptable skills like discipline, fitness, and ethics.

While this dimension alludes to the endless debates about which school is better in the octagon or on the street, or whether a set is dead or alive, it doesn’t provide answers to those debates.  So far as I’m concerned, both performance and practicality have different and vital functions. The point is to understand the existence of diversity, not to rank it.  On the nonviolent side, there seems to be a similar diversity ranging from big, flashy, useless rallies (on the performance side) to targeted effective strikes (on the practical).

When we start looking at martial arts in three dimensions, we see a real diversity: for example, there is wushu, which is driven by the top-down politics, relatively nonviolent, and performance focused.  There are mixed martial arts, which are more bottom-up, occupy the nonlethal violence part of the continuum, and are fairly practical about the mechanics of forcing people to submit.  Then there are systems like William Paul’s nonviolent self-defense.  This system, used most often in hospitals, is nonviolent, practical, and in the middle of the top-down/bottom-up spectrum, since it is usually taught within medical institutions as on-the-job education.  If you’re not familiar with this system, it teaches medical professionals to protect themselves from patients and family members who are threatening or acting out violently.  The goal is not to hurt the violent people, who may be delusional or extremely upset, but for practitioners to deescalate if possible, get out of the situation while minimizing the chance that they get hurt, and at most to restrain people without hurting them.

These three dimensions also allow us to talk about the evolution of martial arts over time.  At least according to their origin stories, they often begin as individuals protecting themselves against an unjust world (e.g. bottom-up, fairly violent, and practical), and evolve as they grow to become more institutionalized, often more performance based (with sets replacing sparring, or empty hand fights replacing weapons), and sometimes less violent (focusing on keeping students out of trouble as opposed to helping them win fights).  All of this may be vital fir keeping schools open and attracting students.  For example, the evolution of Wing Chun could be seen from the bottom-up perspective focusing on the practical application of hard controls and lethal force to the problem of self defense in a region where the state’s monopoly on violence had broken down. But where the art has survived and the school(s) grew and spread by colonizing more performative and less explicitly violent and more explicitly legal spaces.

There is a fourth dimension, but martial arts tend not to diversify along it.  That dimension is about organization, with individuals at one end and large organizations, like armies and movements, at the other.  Martial arts tend to focus on the development of individuals.  It is comparatively uncommon for martial arts schools to teach formation fighting or how to organize small units, let alone how to organize big campaigns strategically.  However, organization is critical for both military and nonviolent campaigns, and it is what military officers are taught in their schools and nonviolent leaders learn from their instructors.

While organizing small-unit tactics isn’t hard—witness everyone from the Society for Creative Anachronisms to nonviolent protestors, the antifa, and the alt-right all reinventing shield walls—it’s not part of what most martial arts schools teach.  At most, organizational training in the martial arts is on the level of the capoeira roda, organized skill demonstrations and tournaments, newsletters on the profitable running of dojos, and the like.  Still, organization is an important dimension for analyzing the exercise of power in wide variety of milieus, so I’ll pitch it out there for people to think about in the context of martial arts.

Violence in martial arts can more usefully be discussed and analyzed with reference to three or four separate dimensions, rather than one.  Like all models these are ideas worth playing with only to the extent that they are useful, and it is in that spirit I’m offering them to anyone who might find it worthwhile.  Thanks for this opportunity to present it.

 

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If you enjoyed this guest post you might also want to read: Love Fighting Hate Violence: An Anti-Violence Program for Martial Arts and Combat Sports

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Violence and Peace: Reconsidering the Goals of Martial Arts

Lau Bun (top center) with senior students in his Hung Sing School of Choy Li Fut in San Francisco’s Chinatown, one of the oldest martial arts schools in America. During the summer of 1959, 18-year-old Bruce Lee had a little-known run-in with Lau Bun and his senior students. (Photo courtesy of UC Berkeley)

 

What is my motivation?

Connecting the dots between an individual’s intentions, their actions and subsequent systemic outcomes is more difficult than one might suspect.  Just ask any social scientist. Understanding each of these categories is important if we want to come to terms with either the causes, or interpretive meanings, of any event.  Yet the structure of the social world dictates that none of us get to work our will just how we would like.  My desires may bump up against your goals, and suddenly we both find ourselves acting “strategically.”  As the environment becomes complex, everyone is forced to do things that are not reflective of their original intentions.  Often this brings about situations that no single actor intended.

This is how you get major interstate wars, at least according to a number of leading scholars in the discipline of International Relations.  Given its excessively costly nature, great power war is often modeled as a type of miscalculation.  Or as one of my old teachers put it “War is the error term.”  We could say something similar about lots of bad outcomes.  There is not a single super-villain out there devising a plan to pollute the world’s oceans with plastics.  Rather, lots of people make individual choices about personal consumption, or corporate policy, and the end result is something that no one individual truly intended.  Such is the tragedy of the commons.

This leads us to one of the most important realizations to emerge from the field of Political Science (and before that Philosophy). Our fellow humans are responsible for many of the bad things that seem to define life, yet none of them (or very few) are actually evil.  Even fully rational people seeking their own self interest will inevitably fall into conflict and probably violence.  And that is a best-case scenario. To make matters worse, students of psychology have determined most decision making is no-where near “rational.”

Violence is pervasive.  It takes many forms.  There are short, sharp, instances of acute physical violence.  Wars, or physical assaults tend to get the most press.  But I don’t think there is any evidence to suggest that in total they are really more destructive than the other forms of structural violence that humans wreak on each other.  Famine, disease, colonialism and addiction have all taken their toll. But at least we can still quantify things like infant mortality rates (which typically go up in civil wars) or life expectancy (which tends to drop when economies go into a serious prolonged crisis).  Harder to measure, though no less real, are social stressors like inequality, discrimination and humiliation.

The martial arts interest me as a social scientist for many reasons.  Yet one of the most powerful is that they are a relatively inexpensive tools which local societies, across the globe, turn to as they seek to address the effects of violence in their own communities.  It wasn’t really until the 1960s and 1970s that social scientists in the West began to diversify our understanding of violence as having more than just a physical or political dimension.  Yet already in the 1920’s we can read book after book, article after article, in which Chinese martial artists argued that their practices could insulate the nation from each of the ills listed above.  They seemed to be far ahead of the curve on this.

This is also part of our challenge when we try to study the Chinese martial arts.  As I have argued before, it is impossible to reduce Chinese hand combat down to a single set of motivations.  Many people have practiced these systems for many different reasons.  An imperial bannerman, a night watchman, an opera performer and a traveling medicine salesman may all have practiced some sort of kung fu in the year 1819.  While they all may have done this so as to “make a living,” the sorts of violence that they faced (structural or otherwise) was not exactly the same.

 

Lion Dancers in Seattle, 2007. Source: Wikimedia. Photo by Joe Mabel.

 

Giving Peace a Chance

Over the last few years Paul Bowman and I have, at different times, called for greater focus on the problem(s) of violence within Martial Arts Studies.  Some of the things that have already been written suggest that students of our field can bring very interesting perspectives to these discussions.  For instance, I highly recommend that everyone take a look at Sixt Wetzler’s chapter in the recently published Martial Arts Studies Reader as a great example of the unique type of work that we might be able to do.

But while violence is the drumbeat that structures so many people’s lives, it is not a concept that can be understood (or even exist) in isolation.  As a result, we may not be able to fully grasp the social work that the martial arts are called on to perform if we examine them only in relation to this concept. Most frequently, violence (or in its interstate form “war”) is placed in opposition to the concept “peace.”

I put peace in quotes for a very good reason.  The complexities of defining and conceptualizing violence pale in comparison to the challenges of understanding peace. Violence is, after all, encoded in things that are done or structures that exist.  Peace is a subtler matter.  Yet it is critical as it structures the motivations of a good many martial artists, in a huge variety of times and places.

Perhaps the easiest place to start would be with a distinction drawn within the Peace Studies literature, often attributed to Johan Galtung. Still, it should be noted that these terms have been in circulation since the start of the twentieth century and reflect a common pattern of conceptual classification seen throughout the field of Political Science.  Galtung notes that “negative peace” is often taken to mean the absence of violent acts.  Importantly, it does not actually suggest a lack of conflict.  For example, Russia and the United States enjoyed a negative peace during the Cold War.  Though their conflicts continued to have a shaping effect on global politics, and terrified generations of people with the prospects of nuclear annihilation, no actual shooting between the two super powers ever took place.  Clearly this is a type of peace, but it is one that leaves something to be desired.  Even in the absence of a formal declaration of WWIII many people’s lives were destroyed.

The stark nature of this paradox led to renewed focus (first in Europe, and to a lesser extent in the United State) on the idea of “positive peace” in the 1960s and 1970s.  It sought to move beyond the obvious violence to address sources of underlying conflict (where possible).  This often means creating new types of relationships between actors, or internally seeking to address the systemic social and economic failures (poverty, famine, alienation, inequality) that either led to conflict in the past or might simply rob people of their basic humanity going forward.  Advocates of change through the creation of positive peace are typically just as interested in what is happening in the World Bank as the UN Security Council.

Peace Studies departments are much less common in the United States than the sorts of International Relations (IR) programs where I received my training.  Still, a number of their concepts have found their way into the general Political Science literature.  One of these insights, which might be particularly helpful for students of Martial Arts Studies, bears on the question of scalability.  Much of the traditional IR discussion of violence has focused on events at the national level.  After all, nations which go to war and IR theorists very much want to understand why.

But a moment’s thought suggest that it is not just nations that “go to war.”  It is also social groups, cities and individuals who are mobilized in these campaigns.  And it is at this much more local level that the violence of a conflict, whether acute or structural, is actually absorbed.  We should not be surprised to discover that local leaders and community actors are often very aware of the logic of negative and positive peace.

 

Lee Jung, dressed for a Lion Dance in Los Angeles during the 1930s. Source: Author’s Personal Collection.

 

Peace Through Strength

Still, local community leaders have neither the resources nor the ability to make the sorts of sweeping systemic changes that classical Peace Theory often advocates. Instead they may find themselves relying on voluntary groups as they attempt to steer their communities through events not of their own making.  This is one area, from Japan to Indonesia to South America, where we have regularly seen martial arts communities brought into the political realm.

For instance, one of the most common side effects of sudden economic or political disruption is a spike in violent crime. At various times in Chinese history martial arts groups have been explicitly called upon by local officials to deal with these trends.  They have been used to clear the roads of bandits, protect crops ripening in the field from neighboring villages and even to form militias. Or to put it slightly differently, the martial arts societies were called upon to provide some much-needed “negative peace.”  In the short run one must protect the village’s crops and keep bandits at bay before anything other sort of policy action is possible.  Likewise, when we train individuals to physically protect themselves from the worst effects of a violent assault in a modern American environment, we are focusing on a model of negative peace.  We are attempting to bring peace by ending an anticipated attack.

Yet that was never the only goal of the Confucian officials who would, from time to time, recruit martial arts groups to help and restore order in the countryside.  They were well aware that violent bandit groups tended to recruit from the same pool of “bare sticks” (young unmarried men with few economic prospects) that martial arts schools drew on.  In times of famine or economic disruption these individuals, who were typically day laborers or only marginally employed, were hit first and hardest by any disruption.  That hunger and desperation was precisely why they were likely to join a bandit organization.  Worse yet, they lacked a secure place within the traditional village structure which defined one’s status through the inheritance of land, marriage or educational attainment. The long-term social prospects for excess sons was quite bleak.  Or in current social scientific parlance, we might say that these young men were systemically disadvantaged.

The formal raising of militias, or the informal tolerance of martial arts groups, addressed these issues on two levels. Militia membership came with a paycheck that might forestall economic emergency.  Membership in a martial arts society provided an important source of identity.  There individuals would develop narratives about the importance of protecting the same communities (and according to Avron Bortez, even the same norms) which might otherwise have been seen as alienating and threatening. In either case, by taking young men off the street the bandits brotherhoods and rebel armies had fewer potential recruits and they tended to grow more slowly.  This, in turn, limited their ability to disrupt the peace.

All of this reveals an important pattern. Martial artists, while lacking standing within the Confucian order, were often a critical asset necessary for the stabilization, and projection of power into, local society.  In times of crisis it really was necessary to “man the barricades” and fight bandits.  Hence the actual efficacy of these practices were important when thinking about the strategies for imposing a “negative peace.”  Yet these measures worked best when they succeeded in convincing young men that they had a place in the system, forestalling the rapid expansion of the types of social disorder that arose quite frequently in Chinese history.  And it is not at all clear that the “most realistic” types of martial arts training would serve these other ends the best.  Basic fitness and self-defense skills are always great. More importantly, they transform violence from an existential threat to an engaging puzzle that one can organize their training and identity around.  And if the creation of a positive peace is your central goal then public performance (lion dance), community building (lineage mythology) and ritual begin to make a lot more sense.

When viewed from the perspective of negative peace these things may appear to be secondary considerations at best.  Others might see them as distractions, or evidence of the “decayed” state of a martial system.  And yet these “secondary” practices and structures must also be replicated through the generations, often at great expense.  So why maintain the effort?  Why do so many systems continue to argue that the martial arts are first and foremost a means by which young people learn about their place in society?  If we consider these same systems from the perspective of positive peace theory suddenly these sorts of practices make much more sense. Rather than being somehow secondary they are important tools by which local society seeks to address the sorts of ills that lead to festering conflict and eventually violence.

 

A Lion Dance performance in NYC’s Chinatown. Source: Wikimedia.

 

Conclusion

Most of this post has been framed as a discussion of how we might relate these two different concepts of peace to understanding the motivations of martial artists in late Imperial China.  Anyone who wants to read more about these strategies need look no further than the classic academic works on the Boxer Uprising (Esherick) and the Red Turban Revolt (Wakeman).  Indeed, the Late Imperial Chinese literature is full of accounts of local elites running through these exact strategies as they sought to utilize (or contain) the potentially violent power of large groups of disaffected young men.

Yet these two understandings of peace, and the strategies that are employed to achieve it, are valuable precisely because of their portability.  Young people living in violent neighborhoods may seek out martial arts training because they fear physical violence, and in so doing find kung fu schools or Olympic boxing programs that have specifically designed by local community leaders to provide “at risk youth” with the sort of tools and social support that they need to succeed.  The Salt Lake City library recently instituted a Taijiquan program for the local homeless population in an effort to deal with some of the structural, rather than physical, challenges that this community faces.  One could multiply examples like this almost endlessly.

I have written at length as to how our current martial practices are a product of modernity, rather than some mythic past.  I don’t want to rehash those arguments here.  But it is worth remembering that one of the central defining aspects of modern economic markets is a tendency towards ever more narrow forms of specialization.  Lawyers, medical doctors, teachers and psychologists now handle the same functions that monks or priests once did.  And in general, they do so much more efficiently as they are allowed to spend their entire careers focusing on a single task.  I think that we also see a certain tendency towards specialization within the martial arts community.  Certain schools focus intently on developing “real world” fighting skills for the realm of combat sports, while others seem to specialize in teaching 6-12-year-old students core social skills like “discipline” and “focus.”

Still, the martial arts community is one place where you do see some resistance to this trend of ever greater specialization.  In some cases that resistance seems to be a cause of frustration. Within my own style it is not hard to identify the groups who want to see more emphasis on the combative western approach to sparring and others who are only interested in form work and delving into the “inner” aspects of their art.  Yet angry snipping on internet forums aside, at the end of the day everyone is still doing Wing Chun.

Social scientists might be tempted to see this resistance to specialization as a rejection of modernity.  A few might even (incorrectly) interpret it as evidence of the survival of “pre-modern” social structures into the current era.  That sort of theorizing might be premised on the unstated assumption that martial arts styles, or even individual practitioners, have a single dominant goal or interest.  If that were the case, then perhaps a resistance to technical specialization would be a sign of some sort of “social discourse” overwhelming the logic of market rationality.

Yet the existence of negative and positive strategies for achieving peace and harmony in our communities (at whatever level we choose to define them) suggests that there may be some very good reasons why so many traditional martial arts have refused to specialize.  In our enthusiasm for our individuals training we often lose sight of the fact that these systems are fundamentally social in nature.  And it is very difficult to know in advance which threats of violence a group or community might face decades in the future. Southern China in 1850 faced the prospects of both civil war and invasion by foreign powers.   In 1950 the main challenge facing youth in Hong Kong was social dislocation and the unique cultural pressures that come from living in a system of simultaneous exile and colonization.  Remarkably community, leaders turned to similar martial arts as a critical tool in addressing both sets of problems.

As a student of Martial Arts Studies all of this is endlessly fascinating and very instructive. Yet I also suspect that there is a lesson here for me as a student of traditional Chinese martial arts. While I am always seeking to clarify my own practice, perhaps I should be more comfortable with the fact that many traditional fighting systems insist of inhabiting the messy middle. What at first appears to be a crisis of utility (“But will it work in the Octagon?”), might in fact be the very thing that allows these systems to deal with the many other sorts of structural violence (isolation, inequality, disease, discrimination) which leads many students to seek a more meaningful sense of peace in their lives.

 

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If you enjoyed this essay you might also want to read: Telling Stories about Wong Fei Hung and Ip Man: The Evolution of a Heroic Type

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